Flute or Wineglass for Your Bubbles?

If you hang out with wine buffs, you know they’re always debating something. The current dispute: whether Champagne and sparkling wines should be served in an elegant Champagne flute, or a crystal wineglass.

It’s a first-world problem, for sure. I’ll state my position up front: I love my flutes. They’re  Me sniffing

fun, they’re elegant, and the wine’s subtle aromas travel right up to my nose when I drink from a flute. Some experts say the narrow opening makes it difficult to stick your nose down into the glass, but look at this photo – my schnoz fits just fine!

Would the bubbles tickle my nose and make me giggle if I drank bubbly from a wineglass? I think not.

But it seems I’m in the minority these days. A survey by Decanter.com concluded that almost 58 percent of readers prefer white wineglasses over flutes for their sparklers. The wider nose does give you more room for the all-important sniffing, and the larger surface area allows more bubbles to release their aromas simultaneously, so your sniff delivers more of a wallop – so they say.

Experts are weighing in, and some of the most prestigious Champagne producers and sommeliers are using wineglasses for their sparklers. I asked a Cleveland friend and wine authority, Gary Twining, CWE, SWE, for his take on the issue. Gary was characteristically diplomatic: “Medium-sized crystal glasses to enjoy Champagne and sparkling wines are certainly appropriate,” he said. “White wine glasses that taper inward at the rim to focus scents are perfectly fine, as are flutes made specifically for sparkling wine. Both hold enough to enhance the aroma and bouquet.”

Even Maximilian Riedel, CEO of the iconic glassmaker Riedel Crystal, told Decanter.com two years ago that his goal was to make flutes “obsolete.” But a quick look at Riedel’s website shows the company still sells flutes – with stems and without. (Holding a bubbly-filled flute in your paw? Now there’s a wineglass travesty, don’t you think?)

Popular history credits our favorite monk, Dom Perignon (b. 1638), with inventing the flute so he could “watch the dance of the sparkling atoms.” I’ll concede that, for older sparkling wines with more complex flavors and aromas, the flute might “restrict the development of the wine,” as one Glass of Bubbly writer put it. But how much? I tested the theory in the review below.

Now the trend seems to be toward different glasses for specific sparkling wines. A handy chart at WineFolly.com will keep you au courant: a flute, they say, is best for Crémant (sparkling wine produced in France, but not in the Champagne region), Cava (Spain’s version of quality sparkling wine) and Brut, Extra-Brut and Brut-Nature. A “tulip glass” works for Prosecco (Italian sparkling wine) and sparkling rosé, and the newer wide-tulip Champagne glass, the bubbles–specific chalice that most resembles a white-wine glass, is best for aged sparkling wine – vintage Champagne, Franciacorta and Gran Reserva Cava. It’s essentially a compromise, with a wider opening than a flute but less of a bowl at the core, so bubbles cluster in a sort of tunnel as they rise to the top.

You get all that? Don’t worry. Just keep drinking the best wine you can afford – sparkling or not – and try to buy glasses that will do it justice.

So, do you like your bubbles in a flute, or a white wine glass? Leave a comment below – the wine world wants to know where you stand!

Wine Lingo of the Day: Late-disgorged = a Champagne or sparkling wine that rested on its lees (the sediment that gathers in the neck of the bottle) longer than other sparkling wines produced by that winery. The extra time aging on the lees before the sediment is disgorged, or removed, is said to give the wine stronger, more complex flavors. Late-disgorged bottles are more expensive than earlier releases of the same wine, often costing at least twice as much.

Vino ‘View:  We can see why an earlier version of Gloria Ferrer Royal Cuvée 2007, Late 

GF Cuvee

Disgorged, Carneros (12 percent alcohol, $37) was once poured for King Juan Carlos and Queen Sophia of Spain. The glass made a difference: in a wineglass we tasted slightly less fruit, but a tart apple/melon peel taste emerged. The nose tingle didn’t happen, but the wine fizzed on our tongues, showing super acidity, and left a long celery finish. In the flute, the green apple aroma was stronger, leading to a sharper, banana and white pepper taste. It opened to a sweeter, more concentrated apple taste, a little yeasty, with a touch of taffy and a lot of silk – and plenty of fine, assertive bubbles. Made with Pinot Noir and Chardonnay, this wine definitely is suitable for royalty! 

[The Gloria Ferrer Royal Cuvée was received by BigSexyReds.com for review.]

Happy sipping,

Mary

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More Wine Labels Demystified

Europeans love to baffle us, especially when it comes to their wines. Half of my wine-loving friends think Burgundy is a grape, like Malbec or Chardonnay. Unless you’ve studied wine regions, you may not know what’s really in that place-name bottle either, so you might leave the bottle on the shelf – and that’s sad, because you’re missing out on some great wine!

When you’re sipping that nice Chianti Classico this weekend, think of this Italian vineyard in Tuscany – specifically in the Chianti region – where they grow Sangiovese, the primary grape (sometimes the only grape) – used in making Chianti.

Tuscany vineyard

[“Vineyard in Tuscany,” courtesy of Jason Parrish via Flickr]

In the Old World, which mostly means Europe, wines usually are identified not by their grapes but by their appellation, a legal term that defines the geographic boundaries of a wine district, the grape varieties permitted there, and the growing and winemaking practices allowed.

Here in America, and in other upstart wine-producing countries such as Australia, we identify wines by grape varieties. You don’t walk into a wine shop and say, “I’d like a bottle of Finger Lakes, please,” or “How ’bout some Clare Valley.” But Europeans, especially the French, expect you to know which grapes grow in which region, so they don’t see the need to elaborate further.

That’s changing ver-r-r-r-y slowly, but in the meantime, let’s eliminate some of the mystery. Here are more European wines I’m sure you’ve seen, but might be reluctant to buy just because you aren’t sure what you’re getting. Feel free to carry this list along the next time you go wine-shopping:

  • Bordeaux – this is a region in France most known for its red blends; Merlot, Cabernet Sauvignon, Cabernet Franc, Malbec, Petit Verdot and Carmenére are all permitted in a Bordeaux blend. And while 89 percent of grapes grown in the region are red, you’ll also see white blends of Sauvignon Blanc, Sémillon and possibly a touch of floral Muscadelle.
  • Burgundy – if it’s red, it’s probably Pinot Noir. A white Burgundy is likely to be Chardonnay. Other grapes are permitted in small quantities, but most wines produced here are 100 percent of either PN or Chardonnay.
  • Champagne – I’ve mentioned it earlier, but it bears repeating: if the label says it’s “Champagne,” the grapes were grown in the Champagne region of France. Note that even though most Champagne is white, the grapes used are generally Pinot Noir, Pinot Meunier and Chardonnay. If it’s pink, the fruit stayed in contact with the red skins for a short time. Other grapes permitted are Pinot Blanc, Pinot Gris, Petit Meslier and Arbane. Some Champagne houses never use the last four varieties, but one, Le Nombre d’Or (“Golden Number”) uses all four.
  • Chablis – a small wine region northwest of Burgundy. The grape is Chardonnay, but it’s more crisp and acidic than the big-body Chardonnays made in the U.S., with lots of minerality.
  • Sauternes – a city in the Graves region of Bordeaux where they produce some of the priciest, most delicious dessert wines anywhere. It’s made mostly of Sémillon, sometimes with a bit of Sauvignon Blanc added.
  • Côtes du Rhône – divided into Northern and Southern Rhône, this reason produces mostly reds. In the North the grape is Syrah, and in the South it can by Syrah, Carignan, Mourvèdre or Cinsaut. If the wine is white, it’s likely to be Grenache Blanc. The Rhône is especially known for its rosé – heartier and deeper in color than many rosés – though it only accounts for 9 percent of the region’s production.
  • Beaujolais – this is the fruity, strawberry-red wine made from Gamay grapes, that someone inevitably brings to Thanksgiving dinner. You remember, it’s the one that tastes like Uncle Ned just made it in the basement. Released on the third Thursday each November, Beaujolais, named for its own small region inside Burgundy, is intended to be consumed immediately. Don’t keep it; in six months (or less) it will be nasty.
  • Rioja – one of the few Spanish wines sometimes identified by its geographic home, Rioja is Tempranillo. It may contain some Garnacha and Cariñera, too.
  • Madeira – an island about 400 miles off the coast of Morocco where they produce – guess what – Madeira. It’s known as sweet wine, but you can find dry versions as well. The grapes are relatively obscure varieties: Servial, Verdelho, Boal and Malvasia.

Wine Lingo of the Day: AOC = “appellation d’origins contrôlée,” or “name of controlled origin,” now called AOP – these are the top-quality French wines. An AOC might be the name of a town or collection of villages designated as a regulated wine region, such as Mâcon-Villages, or even a single domaine (winery or producer), such as Château Margaux.

Vino ‘View: When tank-top weather leaves, I want to transition with a fruity dry red. I found two Chiantis for perfect shoulder-season drinking: Castello di Albola Chianti Classico 2013 (13 percent alcohol, avg. price $15) and Castello di Albola Chianti Classico Riserva 2012 (13.5 percent alcohol, avg. price $20).

Chianti bottles

[These wines were submitted to BigSexyReds for review.]

The Zonin family have been making wine since 1821, so they know their craft. The 2013 Classico is medium-bodied, silky, smelling of red berries and a touch of spice; I drank it with a dinner of roast chicken and brown rice pasta. The Riserva was even more elegant – no surprise; Sangiovese for this Riserva grows on steep slopes in a small, high-altitude vineyard. It was aged for two years after the harvest – the law for Chianti Classico Riserva – and bottled at .5 percent more alcohol than nonriserva, also a requirement. You can almost taste the warm sun in this bottle; it’s a deeper garnet color, a little earthier than the Classico, with an aroma of violets and fresh strawberries. By my third sip I was tasting a little licorice, a touch of rhubarb and a lot of earth. Both wines should keep until 2020, but I had to have them now.

Happy sipping!

Mary

 

Wine Labels 101

This Friday, September 8, is International Literacy Day, and I can’t think of a better way to celebrate than to read wine labels.

But as you stand in front of that wall of bottles at the wine store, do you really know what you’re looking at? Wine labels can be a mystery, even to longtime lovers of the grape, because there’s no consistency. Labeling laws across the globe are all over the place (pun intended) and impossibly complex.

Wine labelsHere’s all you really need to remember: anyone who’s literate can understand enough to know what they’re buying. You just need to identify whether the label is telling you the name of the grape, the winery, the wine region, or a combination of the three.

Take the above photo. The wine on the left is made from Dolcetto (dol-chét-toh) grapes. The name translates, by the way, to “little sweet one,” but all the Dolcetto I’ve tried is big, bold and dry. “D’Alba” means it was produced in or near Alba, a town in the Piedmont region of northwest Italy. (Any version of d’, di, de or a on a label means “of,” so even if it’s an unfamiliar word, you’ll know they’re talking about a place, not a grape.) The winery is Abbazia, shown at the top of the label. So if you’re familiar with Piedmont and specifically Dolcetto, you have a pretty good idea of what’s in the bottle.

The wine next to it was made by those flashy Ferrari winemakers in the Trentino region of northern Italy – as you can see by their name emblazoned across the gold label. The grape is Perlé, a white grape often grown in Italy, and Trentodoc is essentially the designation for sparkling wines made in Trentino. This bottle also tells you the vintage, 2007, on the front; the Dolcetto’s vintage (2015) is on the back label.

Winemakers often list a vintage (the year the grapes were harvested), or you might see the initials “NV” – non-vintage, a recent BigSexyReds Wine Lingo – meaning the winemaker blended wines from several vintages to get the taste and quality level he or she wanted. A 2016 vintage wine could taste dramatically different from a 2014 or 2015, even if the grapes were picked in the same vineyard.

Sometimes the producers only tell you the region, and they expect you to know what that means: Champagne, for instance, is a region in France. If the label says Champagne, that’s where it’s from; the wine will almost always be a blend of Pinot Noir, Pinot Meunier and Chardonnay, with smaller amounts of other grapes, including Pinot Blanc, permitted in the mix. (There is a “Champagne grape,” but it’s not used for making Champagne. Confused yet?) A bottle labeled Burgundy (or Bourgogne), Beaujolais, Chianti or Bordeaux likewise is telling you the region, not the grapes that go into the wine. (**Next week we’ll talk more about those place-name labels, so if you pick up a Chianti you’ll know what to expect in your glass.)

Usually, too, the label will display, sometimes in the tiniest font possible, the alcohol content – ABV, or “alcohol by volume.” Most wines range from about 12 percent ABV to 15 percent, but you can find them lighter or boozier – and you will get more of a buzz from a 15-percent Zin than a 12-percent Pinot Noir.

Some labels list tasting notes on the back. I wouldn’t take those too seriously; just because the winery’s PR people think you should taste cinnamon and plums doesn’t mean you won’t taste black pepper and pecans. Everyone’s palate is different. But you might find hints at why the wine you selected is pricier than others: a label that refers to “low yields on our sun-kissed slopes,” for instance, tells you that the grapes were picked by hand (because tractors don’t work so well on steep hills), so labor costs were higher than if they’d been picked by machine, and the clusters were culled for maximum nutrition and sun exposure.

And don’t even think about learning sugar levels. Sometimes those percentages appear on the label, sometimes not. When you’re not sure if a wine is dry or sweet, ask the wine steward.

Nothing on the label, of course, can guarantee that you’ll like the wine. But with a few essentials you’ll at least be better informed about it.

Wine Lingo of the Day: One of the most headache-inducing wine label words is Montepulciano. You just need to memorize the difference between Montepulciano  d’Abruzzo and Vino Nobile di Montepulciano. When you see Montepulciano d’Abruzzo, it means Montepulciano is the grape, and the wine was produced in Abruzzo, in eastern-central Italy. Or, you might buy Vino Nobile di Montepulciano. This wine comes from the village of Montepulciano, and it’s made with Sangiovese grapes. They don’t make wine from Montepulciano grapes in Montepulciano. But don’t stress about it; they’re both delicious Big Sexy Reds.

Vino ‘View:  We had a chance to taste this Piovene Porto Godi Merlot 2015 (14.5 percent alcohol; $25) and it was unlike any Merlot we’ve tasted in years. It was powerful – well, just look at that ABV – and more intense than most Merlot. Produced from three 

Piovene Merlot

Merlot clones, this dark-purple wine spent more than a year in French oak barrels, and  you can taste the oak, along with black cherries and some smoke. And it’s a great bottle for practicing your label-literacy skills: Piovene is the family name and Piovene Porto Godi is the brand. “Frá i Broli” describes the special Merlot medley (“frá” means “among”). The back label adds more information; the winery is in Colli (“hills”) di Berici, a district in the heart of Veneto, near Toara (meaning, “good earth”) di Villaga – the name of the town.

My best label-translating advice: keep your phone handy in the wine store, set to Google.

Happy reading!

Mary

[Piovene Porto Godi was submitted to BigSexyReds.com for review.]

We’re giving away a subscription to Wine Enthusiast magazine!

I don’t know about you, but I found yesterday’s solar eclipse moving. Poetic, in an Albert Einstein kind of way. Not to get sappy, but the universe gifted us, gave us a common curiosity – something we could all appreciate together, for just a few minutes.

Then I learned that today, August 21, is Poets Day! That’s a bit of synchronicity I wanted to celebrate, so BigSexyReds is giving away a 1-year subscription (13 issues) to Wine Enthusiast magazine – just to keep the togetherness going, you know. We all love wine, and reading Wine Enthusiast is one of the most accessible ways to keep learning about it.

Wine EnthusiastI have a love-hate relationship with poetry. My clearest poetry-memory is sitting in Mrs. Weber’s 9th-grade English classroom with half a dozen friends. She was punishing us for talking in class, keeping us there until we memorized Shakespeare’s 29th sonnet: “When in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself and curse my fate,…” I still haven’t forgotten that damn iambic pentameter.

But today we celebrate all poets, even Willie – persons, according to the Oxford English Dictionary, “possessing special powers of imagination or expression.” You can join in and, if your name is chosen, get Wine Enthusiast delivered to your door. Entering is easy. Here’s how:

— All current and new followers of http://www.BigSexyReds.com who are 18 years of age or older, and live in the U.S., are eligible. If you’re already a follower, you’re already entered. To start following, just click on the “follow” tab at the lower right corner of your screen.

— You also can enter by leaving a comment on this post. If you follow BigSexyReds, a comment gets you an extra entry. You can also enter (or get extra entries) by re-tweeting us on Twitter.

— Feeling poetic? Writing a short poem (4-5 lines) in the comment box of this post gets you a whopping five entries!

— One prize will be awarded: a 1-year (13 issues) subscription to Wine Enthusiast magazine (a $29.99 value). This giveaway begins when this post goes live (about 12:30pm, August 21, 2017) and ends at 11:59pm Monday, August 28, 2017.

— The winner will be randomly selected the morning of Tuesday, August 28, 2017, and will be notified by noon that day. No purchase is necessary (a no-brainer, since I’m not selling anything). The odds of winning depend on the number of entries received. If the winner does not respond to claim his or her prize within 48 hours of being notified, he or she forfeits the prize and BigSexyReds will randomly select a different winner. This giveaway is also listed on JustSweep.com and BlogGiveawayDirectory.com.

— The winner is solely responsible for any federal, state or local taxes on this prize, and BigSexyReds reserves the right to publish the winner’s name on this blog and social media unless the winner specifically requests anonymity. If you win and don’t want your name published, I’ll honor that request.

— Lastly, by entering you will be providing your contact information to me and me alone. BigSexyReds will not sell or share any entrant’s email address, or Twitter or Instagram handle, and will use it only for the purpose of contacting the winner.

That’s it!  Cheers, and happy reading!

Mary

Going Screwy Over Corkscrews – Happy Thrift Shop Day!

Writing about corks in my last post reminded me of my old corkscrew collection.

I miss it. I had found unusual antique corkscrews at yard sales, flea markets, street fairs and in thrift shops. One of my favorites came from a street vendor in Brussels who sold nothing but old bottle openers; he displayed about 150 of the treasures and I wanted to buy his whole inventory.

Corkscrew

[Photo “Corkscrew” by Kaino Kaihomieli, courtesy of Flickr/Common Creatives]

Most corkscrews are simple tools – you have the helix, or “worm” (the metal spiral you stick into the top of a cork) and a perpendicular handle of wood, bone, ivory (boo!), tin, brass, steel – but you knew that. Some models come with a foil cutter, though it’s not vital; you can twist the foil off of most bottles with your bare hands. (Yes, you can – try it!)

If you’re in a shopping mood, August 17 – National Thrift Shop Day – is the perfect day to launch your corkscrew hunt. You can find dozens of different styles, especially if you’re looking at old-fashioned varieties. There’s the Champagne tap, a confounding device that looks as if it belongs in a torture chamber. You’ve probably seen the “direct pull” with just a worm and a wooden handle; older versions had brushes sticking out of the handle.

The “winged” or lever type, with two handles that extract the cork as you push down on them, is the model found in most kitchen drawers. When you’re traveling you’ll come across souvenirs called “figurals;” these have a screw protruding from a dog- or other animal-shaped handle, or from a man’s (ahem!) groin area. If you want to get fancy, you can buy an electric corkscrew. One popular brand is the Rabbit; mine lasted three years before it stopped taking a charge.

Food and Wine magazine chose the “waiter’s friend,” also called the “wine key” or “sommelier knife,” invented in 1939, as the best corkscrew on the market. It’s my favorite, too – more efficient and less cumbersome than most models, and it fits in your pocket. The worst, in my view, is the two-pronged “butler’s friend.” It’s almost impossible to pull a cork with that thing, and it’s no friend of mine.

I usually carry a corkscrew – but if I forget, there’s no need to panic, as I discovered when I found myself in a hotel room without one:

Key corkscrewWhen you’ve forgotten your wine key, a house key will do the job.

I sold my corkscrew collection several years ago, but if I wanted to collect again, several websites, including Corkscrews Online and Corkscrew Collecting, provide great tips for buying and spotting fake “antiques.” And if you want to view a terrific collection, the Culinary Institute of America (CIA) at Greystone in St. Helena, California, has one of the best. Housed in the former Christian Brothers Winery, the CIA showcases more than 1,000 corkscrews in its main entry hall – plenty of examples to make you go screwy.

Wine Lingo of the Day:  Helixophile = a person who collects corkscrews.

Vino ‘View: I put my waiter’s key to work cracking this bottle of Sexual Chocolate (13.5 percent ABV, $24.99, http://www.SLOdownwines.comand was sorry when it was empty. This 

Sexual Chocolate

California blend was a true BigSexyRed – dark purple and full-bodied, with tears clinging to the inside of my glass. I got a strong aroma of dark chocolate and walnuts, then a taste of tobacco, Ferrero Rocher milk chocolate truffles and even more nuts. On the finish, blackberry and slight black pepper lingered, then a surprise – a subtle bit of orange liqueur on my tongue. The winemaker’s bootlegging story on the label is a bonus.

Cheers!

Mary

Put a Cork in It! (Your Wine Bottle, That Is.)

“His heart danced upon her movement like a cork upon a tide.” — James Joyce

We all have such romantic notions about wine, don’t we…I wonder if we’d have felt the same way 300 years ago, when wine bottles were sealed with oil-soaked rags?

Corks

Corks lend a fanciful touch to the ceremony of cracking a special bottle – a sense that we’re about to celebrate something – that screw-on caps just can’t emulate. We sniff our corks, we admire their calligraphy, we hoard them. Have you ever met anyone who hoards screw-on caps? I think not.

Corks (the real kind, not those annoying, synthetic polyethylene things) are made from the light, tough outer layer of bark of the cork oak tree, a.k.a. Quercus suber – not to be confused with the cork tree, which also sports a corky bark but isn’t used for making wine corks. The cork oak is considered sustainable because it can be harvested without cutting down the tree; once the tree reaches 25 to 30 years old the bark is stripped and the tree lives on. Every seven or nine years (depending on whom you ask), the tree is ready to be stripped again; it’s the second stripping that produces the best wine corks.

Cork tree

[A guide explaining the cork oak tree on the grounds of SIMI Winery in Healdsburg, California.]

Cork oaks, which live an average of 200 years, grow in half a dozen countries, but most corks are produced in Portugal  – where the higher-quality corks are sourced – and Spain. And here’s something to remember when you dream of opening your own winery: the finest corks can cost bottlers as much as 1 Euro each, or at today’s conversion rate, about $1.17.

Harvesting cork is a delicate operation. Workers called “extractors” use a sharp axe to make two cuts: one horizontal slice around the tree, called a crown or necklace, and several vertical cuts called rulers or openings. Then they push the axe handle into the ruler – gently, to avoid damaging the tree – and peel off large sections of cork called planks.

Cork is a remarkable substance: its tiny air pockets make it buoyant, about four times lighter than water. It’s fire resistant (which is why it’s used in making home insulation) and forms a watertight seal in the neck of a wine bottle. Yet it permits a tiny bit of oxygen into the bottle, about one milligram of oxygen each year, enabling the wine’s flavor and aroma to evolve over time.

There are advantages to using synthetic corks, of course. They allow a consistent amount of oxygen into the bottle, and they don’t carry “cork taint,” caused by TCA (2,4,6-trichloroanisole), the chemical compound that can make your wine smell like Grandma’s moldy basement – an affliction found in about 1 percent of wine bottles. And TCA isn’t picky; it’s just as happy spoiling a $100 bottle as that cheap $6 bottle you snuck into your grocery cart.

For you cork hoarders, you can spin your cache into cash: used wine corks sell online to crafters and jewelry artists, about $8 to $10 in batches of 100. You can unload your used synthetic corks, too, for up to 14 cents each. And by the way, don’t bother sniffing the cork when you open a bottle. Flaws are detected more easily by smelling and tasting the wine itself; the cork probably won’t indicate anything important.

Wine Lingo of the Day:  NVnonvintage. When you look at the labels of most wines, you’ll see a year – the year when the grapes were grown and harvested, or the “vintage.” But in wine reviews or restaurant wine lists, you’ll often see the initials “NV.” That indicates the grapes used to produce that wine were harvested in two or more years. Winemakers blend grapes from different vintages if they’re looking for consistent aromas, tastes and other qualities in the wine, year after year.

Caranto PNVino ‘View:  A delicious example of an NV wine is Astoria’s Caranto Pinot Noir (13 percent alcohol, $11). The spicy, cinnamon first taste opens up to plums – maybe prunes – with a smoky, blackberry jam finish. My last glass was especially creamy (think fig newton, blackberry pie crust). This full-bodied wine with medium tannins is a terrific value! We paired it with pasta from Rustichella d/Abruzzo that was gluten-free, made from a red-lentil base, in a cold chicken-cashew salad – a recipe we found online. We chilled the wine slightly for our perfect summer supper.

Cheers!

Mary

Napa vs Sonoma – Which Sparkling Wine Shall We Pour Tonight?

If you’re a fan of fizzy wines, you already (probably) know that California is not a one-bubbly-fits-all state. If you didn’t know that, we won’t out you! Just get a few basics down and you’ll get more out of your sparklers.

Gloria Ferrer glass

[Photo by Sarah Stierch, “Sparkling Wine at Gloria Ferrer Caves & Vineyards, Sonoma, California” via Flickr.com]

The first sparkling wine in America was a sparkling Catawba, produced in Ohio (we Ohioans like to boast), downstate near Cincinnati, by Nicholas Longworth in the 1830s. It only took another 30 years for Jacob Schram to purchase his vineyard property in Napa Valley and start producing California’s first quality sparkling wines. By 1870, Schram had planted 30,000 vines and was aging his earliest vintages in cool caves.

Napa is a warm, narrow valley, protected from the cold air of the Pacific Ocean by low mountain ranges but still cooled by the waters of San Pablo Bay. Growers there enjoy calcium-rich soil and a Mediterranean climate with a warm, sunny growing season – ideal for growing Chardonnay, one of the prime grapes used in making their sparkling wines. The southern part of Napa, nearer to the bay, is cooler than the rest of the valley.

Schram’s little enterprise didn’t make it past Prohibition, but new owners resurrected Schramsberg Vineyards  in 1965 and still use those caves to store their wines, considered some of the finest in California.

About 20 years later, the Ferrer family from Barcelona discovered the Mediterranean climate and terroir of Sonoma County. Just west of Napa and more diverse in terms of soil and plantings (think: redwood forests), Sonoma has cooler nights, thanks to 60 miles of Pacific coastline and an ocean cool-down. The region reminded José Ferrer of his family home in Catalonia, especially good for growing Pinot Noir and Chardonnay, so it was there he built Gloria Ferrer Caves & Vineyards and named the new winery after his wife.

Only the practiced palate would discern real differences between Schramsberg and Gloria Ferrer sparkling wines. Schramsberg’s might taste a little stonier, slightly bready and creamy, with clear tropical fruit notes. Gloria Ferrer’s sparklers might be fruitier with a little more cinnamon coming through.

But when you’re staring at that confusing wall of bottles in the store, maybe it’s most important to remember that both wineries produce their sparkling wines using the Methode Champenoise, or “Classic (Traditional) Method.” We’ll save the long version for another day; suffice it to say that sparkling wines displaying any of those phrases on the label, and “Fermented in This Bottle,” have undergone the hands-on, multiple steps necessary to create the finest sparkling wines. It’s the same technique used to produce Champagne (which comes from the Champagne region of France, but you knew that, right?). It will cost a little more than sparkling wine whose label says it was fermented inside the bottle (rather than this), or using the Charmat or “outside the bottle” (i.e., in a tank) method, but it’s worth paying extra for the classic-method wine. That’s a difference you will taste.

Wine Lingo of the Day: Mayacamas and Vaca MountainsWhen you’re looking at wines from regions as popular as Napa Valley and Sonoma County, it helps to orient yourself geographically. Any serious discussion of Napa and Sonoma is likely to mention these important mountain ranges because they affect the grapes and, ultimately, the wine: the Mayacamas Mountains run along the western edge of Napa, protecting it from the cooler Sonoma air, and the Vaca Range forms Napa’s eastern boundary. If you’re contemplating any form of wine certification, memorize these two names – you’ll see them on just about every exam.

Patrick bubbly

Vino ‘View:  With the onset of summer, we wanted a couple of cool sparklers to sip on the porch. We chose two delicious, affordable California bottles: Gloria Ferrer NV Blanc de Blancs and Gloria Ferrer NV Blanc de Noirs (both Methode Champenoise, both 12.5 percent alcohol, both $22). The 100-percent Pinot Noir has a rosy tinge and gave us tiny, assertive bubbles. The aroma was lemon at first, then it melted into a rich pear that changed to apple in our mouths. The all-Chardonnay Blanc de Blancs was a melon-and-banana delight, a super-tropical feel and perfect for our warm-weather neighbor-watching. That handsome fellow in the photo is my nephew, Patrick Straffen – we were celebrating because he and my niece, Emily Straffen, had just passed their Level 2 WSET exams! You go, guys!

Cheers,

Mary