The Art of Wine Tasting

If you’re going to learn about wine, you have to know how to taste it. That doesn’t mean tossing back a big gulp of vino and deciding whether you like it; there are steps and dimensions to tasting, and they get pretty involved. Tasting correctly has nothing to do with whether you enjoy a particular wine; it’s your vehicle for describing the wine to others – and one of the best places to appreciate that process is The Winemakers Studio in Livermore Valley, California, part of the iconic Wente Vineyards.

I was there with other bloggers attending the Wine Bloggers Conference in August, and we got an up-close look at “all the critical decision points a winemaker goes through every day,” our guide told us.

One of the most important aspects of tasting wine is detecting its various smells. Our first session was the Wine Aroma Experience, pictured above, where we took whiffs of pure essences that could have been any fruit, bark, seed, nut, vegetable or spice, and tried to match them with the actual samples on the table. The idea was to “reach back into our memories and bring back experiences” we associate with those smells. Fruits and spices are easiest for me, but spices always trip me up.

Our next stop was Wine & Food Pairing, with a twist: instead of pairing foods with two different wines, we sipped two vintages of the same wine – a 2014 and 2015 Semillon by Cuda Ridge Wines. I’d never tried pairing foods with different vintages of the same wine before, and was surprised at how they influenced the foods differently.

Pairing photo

For starters, the wines looked different – the 2014 was watery-white, while the 2015 had more of a corn-silk hue. Tasting both with crab salad, the 2015’s minerality came through much more than the older wine, which was more mellow with a strong pear taste. With the brie, the 2014 was predictably richer and “bigger” than the 2015, which was noticeably more tart, cutting into the creamy brie taste.

We went on to “Size & Shape Matters,” a session showing how a glass can influence the aroma and taste of the wine. I’ve written on this (and probably will do a blog post on glasses at some point), so I knew the wine in the crystal Riedel glass would taste much smoother and more expensive than the same wine in what the instructor called the “Outback Steakhouse glass.”

Our last class was a blind tasting. Wine was poured into two black glasses – one white wine, one red – and we had to guess which of four varietals each wine was. The answers were Sauvignon Blanc and Cabernet Sauvignon; I missed both because I didn’t think they would give us such obvious choices. I was wrong!

Classes at The Winemakers Studio are open to the public, but you have to book in advance at 925-456-2385. You can take one class or all four, or a special wine blending workshop. Our sessions were abbreviated; plan on one to two hours per class, and have fun with it!

Wine Lingo of the Day:  Fruit-forward = A wine is said to be fruit-forward when tastes of fruit dominate over all other tastes, such as oak, spices or smoke. Some use the term “fruit-driven.” The fruity taste will be most noticeable towards the front of your mouth.

Mark West Black, small

Vino ‘View: As summer ends, I’m not quite ready for the bold Cabs and Zins that I love, but I get a hankering for something red. The perfect compromise is 2014 Mark West Black Pinot Noir (13.5% alcohol, $13.99). The color is a dark wine-red – I once had a skirt that color; we called it “burgundy.” The wine is full-bodied for a Pinot, and I feel some heat as it goes down, though the alcohol level isn’t high. Aromas of smoke, dry leaves and blackberries remind me that fall is almost here, and the taste has a lot of layers – it’s fruit-forward with black raspberry flavor, then dark chocolate, black walnuts, black olives, smoke, and a slight peppery note emerge. There is, as they say, a lot going on in that glass.

Enjoy your holiday!

Mary

[Bottle shot courtesy of Mark West Wines. This bottle was sent by the producer to be reviewed.]

 

 

 

The Great Chocolate-and-Wine Myth

If you’ve ever felt like devouring a giant wedge of chocolate cake for dinner, today you have an excuse: it’s World Chocolate Day, and according to Wikipedia, “celebration of the day includes the consumption of chocolate.” Duh.

Choc.cake

My mom baked the most decadent chocolate cake; she added mayonnaise for extra moistness. When she cooked a pot of chili, she included a square of dark chocolate to make it richer. From Oreos to truffles, brownies, fudge, hot chocolate or Trader Joe’s dark chocolate-covered coffee beans, we all know some form of chocolate that makes us swoon.

Supposedly, this day marks Europe’s first introduction to chocolate, 466 years ago – but this dark delight has been around a lot longer than that. Ancient Mayans (250-900 A.D.) came upon cacao in the rainforest and taught themselves to roast and grind the seeds into a paste. They mixed it with chile peppers, cornmeal and water to make a spicy drink they later traded to the Aztecs; priests in both societies served it in religious ceremonies. But they didn’t grow sugarcane, so chocolate didn’t sweeten up until the Spaniards conquered the Aztecs in the 1500s. They took it back to Spain where someone thought to add sugar and cinnamon, and dessert was served.

Chocolate was one of George Washington’s favorite beverages. A century later in 1886, Milton Hershey launched his biz, but it wasn’t until 1900, when he began mass-producing milk chocolate, that chocolate became affordable.

And somehow, over the years, people got it into their heads that chocolate should be paired with Cabernet Sauvignon and other BigSexyReds. But they make a terrible pairing, and the fact that this misinformation endures is one of the most annoying myths in the wine world.

You don’t believe me? Ye of little faith. Try this: take a bite of your chocolate cake or brownie. Now sip your Cab. That unpleasant sensation near the back of your tongue? It’s bitterness – not dryness, not citrus tang. Harsh bitterness. Pairing chocolate and Cabernet kills the rich, smooth, delicious tastes of both the wine and chocolate.

Now try this: open a nice bottle of Port – Vintage if you can afford it, but Ruby will do nicely. Match the wine to the chocolate if you can; the darker the chocolate, the darker you want your Port. If you’re eating a lighter milk chocolate, pair it with a light Tawny Port.

Bite the brownie, sip the Port – notice the difference? The alcohol and depth of your slightly sweet Port meet the richness of your chocolate, and they kiss. They’re transformed and elevated; each mellows the other and brings out their more subdued qualities.

Now, go ahead and indulge – once a year you deserve a chocolate dinner!

Vino ‘View:  We’re having a heat wave in Ohio. That means glorious summer, a good time to introduce this sometime-feature because I want a light wine tonight – and if it’s a red, “light” usually means Pinot Noir. 

Mark West PN

I’ve tasted this Mark West 2014 California Pinot Noir, and it’s perfect for dinner on the porch (yep, that’s my front porch). It’s young enough to show plenty of acidity, enhanced by the coastal breezes cooling the vineyards. The flavors are summery, too: strawberries, blueberries, cola, a touch of black pepper – a good, soft vino to drink with a cold chicken salad. Since it’s so warm, I’ll chill the wine for about 15 minutes before I open it. (Alcohol 13.5%, $10.99/750ml)

Wine Lingo of the Day:  CadastroPortugal’s vineyard ranking system. The DOC (the officially sanctioned quality wine region) assesses vineyards on 12 factors that influence the wine, including altitude and yield. Vineyards are ranked on their total scores, A through F; that ranking determines the Beneficio, or the volume of Port the government allows each vineyard to produce that year.

[Photo, “Triple Chocolate Cake,” by Meraj Chhaya via Flickr.]

Cheers!

Mary